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Ceramic Jar with Enameled Peony Flowers - GV-CAP-2112-002 & 003

#001

Ceramic Jar with Enameled Peony Flowers - GV-CAP-2112-002 & 003

#001
Coinllectibles
Coinllectibles Limited
Contract address: 0x6385......0424
Token ID: #8
Token standard: ERC-721
Royalty fee: 8 %
Blockchain: Polygon
Artist / Owner:
Size: GV-CAP-2112-002: 26.5cm (Width) 24.3cm (Depth) 46.8cm (Height); GV-CAP-2112-003: 26.4cm (Width) 26.5cm (Depth) 46.8cm (Height)
Created date: Sep 05, 2022
Collection: 新年系列
Description

Magnificent Series

The Magnificent Series collects exquisite antique works from Qing Dynasty, as well as ancient style artworks made by modern artists.

This collection features exquisite production, reflecting an extremely high level of craftsmanship and artistic values, expressing inspiring and auspicious meaning. This collection is truly a great set of works with high collection values.

GV-CAP-2112-002

DIMENSIONS: 26.5cm (Width) 24.3cm (Depth) 46.8cm (Height)

Throughout the Chinese dynasties, there have been corresponding expressions of the Dragon on ceramic artworks in each dynasty, however, the expression of three-dimensional sculpture has been the most difficult option, and artisans and even royal kilns have rarely used this technique for creation and expression. The Spring and Autumn and Warring States Period was a new era in the development of Dragon motifs, which were magnificent and colorful. Back then, all Dragon motifs were of beastly bodies, with claws of three toes, a thin and curly tail, a Dragon head with a wide-open mouth, and Dragon horns curled backwards.

During the Spring and Autumn and Warring States Period, Dragons began to be crafted by stacking, pinching and molding, and were used to decorate the necks and shoulders of vessels. During this period, the Dragon became more of a beast shape, with the addition of four legs similar to those of the tiger, and it no longer looked like a crawling snake or crocodile. Such processing made the Dragon majestic and robust in high spirit. This Ceramic Jar with Enameled Peony Flowers (Expectations of Bright Future of the Children) was crafted by three-dimensional carving technique, and is a precious piece to inherit and carry forward the classics. Eight Dragons in gold lacquer are sculpted in three dimensions on the body of the jar, with their heads in an imposing manner. The Dragons are in perfect harmony and life-like appearance with the blue enameled flowers. The claws of the Dragons are vigorous and powerful, and the delicate details of the tongues of the Dragons highlight the craftsmanship of a great nation, and the cap is covered with a plate depicting a golden Dragon that is upright, majestic, robust and generous. A stamp of “Designed and Fired During the Reign of Emperor Qianlong of the Qing Dynasty” is seen on the jar body. The enamel, which was first created in the reign of Emperor Kangxi, was dedicated to the imperial family or the royal family. With high cost and low production, even the favored ministers would not be readily awarded. Among all the ceramics of the Qing Dynasty, it was the most precious and top-notch.

To date, enamels are still highly valued by collectors and the auction prices may be as high as HK$100 million or 200 million. The "predecessor" of enamels can be said to be “enameling on copper”. As the name implies, “enameling on copper” refers to a process introduced from Europe to the Qing Dynasty, in which the roughcast is made of copper and then enamel is painted on the surface. Enameled ceramic was created under the influence of “enameling on copper” and was called “enameling on ceramic” for the purpose of distinguishing between the two.

Market price: USD 109,700 - 161,300

GV-CAP-2112-003

DIMENSIONS: 26.4cm (Width) 26.5cm (Depth) 46.8cm (Height)

Throughout the Chinese dynasties, there have been corresponding expressions of the Dragon on ceramic artworks in each dynasty, however, the expression of three-dimensional sculpture has been the most difficult option, and artisans and even royal kilns have rarely used this technique for creation and expression. The Spring and Autumn and Warring States Period was a new era in the development of Dragon motifs, which were magnificent and colorful. Back then, all Dragon motifs were of beastly bodies, with claws of three toes, a thin and curly tail, a Dragon head with a wide-open mouth, and Dragon horns curled backwards.

During the Spring and Autumn and Warring States Period, Dragons began to be crafted by stacking, pinching and molding, and were used to decorate the necks and shoulders of vessels. During this period, the Dragon became more of a beast shape, with the addition of four legs similar to those of the tiger, and it no longer looked like a crawling snake or crocodile. Such processing made the Dragon majestic and robust in high spirit. This Ceramic Jar with Enameled Peony Flowers (Expectations of Bright Future of the Children) was crafted by three-dimensional carving technique, and is a precious piece to inherit and carry forward the classics. Eight Dragons in gold lacquer are sculpted in three dimensions on the body of the jar, with their heads in an imposing manner. The Dragons are in perfect harmony and life-like appearance with the blue enameled flowers. The claws of the Dragons are vigorous and powerful, and the delicate details of the tongues of the Dragons highlight the craftsmanship of a great nation, and the cap is covered with a plate depicting a golden Dragon that is upright, majestic, robust and generous. A stamp of “Designed and Fired During the Reign of Emperor Qianlong of the Qing Dynasty” is seen on the jar body. The enamel, which was first created in the reign of Emperor Kangxi, was dedicated to the imperial family or the royal family. With high cost and low production, even the favored ministers would not be readily awarded. Among all the ceramics of the Qing Dynasty, it was the most precious and top-notch.

To date, enamels are still highly valued by collectors and the auction prices may be as high as HK$100 million or 200 million. The "predecessor" of enamels can be said to be “enameling on copper”. As the name implies, “enameling on copper” refers to a process introduced from Europe to the Qing Dynasty, in which the roughcast is made of copper and then enamel is painted on the surface. Enameled ceramic was created under the influence of “enameling on copper” and was called “enameling on ceramic” for the purpose of distinguishing between the two.

Market price: USD 109,700 - 161,300

GV-CAP-2112-002    NFC ID: 04:74:12:7A:E6:72:80
GV-CAP-2112-003    NFC ID: 04:68:06:7A:E6:72:80


Documents and more

Certificate of Ownership

This digital ownership token (this “Fusion DOT”) serves as the certificate of legal title to and beneficial ownership of the Collectible, as defined in the Transfer Deed between Coinllectibles Private Limited and Coinllectibles Limited dated 1st September 2022 incorporated into this Fusion DOT, upon the terms and subject to the conditions contained in the following documents incorporated into this Fusion DOT: (1) Transfer Deed; (2) Sale and Purchase Agreement; and (3) Bailment Agreement.

Transfer deed: [Web Link] - [Arweave Link]

SPA: [Web Link] - [Arweave Link]

Bailment Terms: [Web Link] - [Arweave Link]

Appraisal Report: [Web Link] - [Arweave Link]

Low Resolution Image: [Web Link] - [Arweave Link]

Low Resolution Image: [Web Link] - [Arweave Link]

High Resolution Image: [Web Link] - [Arweave Link]

High Resolution Image: [Web Link] - [Arweave Link]

Price history

AVG.Price ($): $0

EventUnit priceUSD PriceAddressTime
Sale

USDT 400,000 USDT

≈ $400,482.0241

From: 0x0cb7......6902

To: 0x3ba8......Fb53

1207
Sale

USDT 508,000 USDT

≈ $508,612.1706

From: 0x9e45......1acb

To: 0x3ba8......Fb53

1012
Mint

From: 0xc690......a9b5

To: 0xC690......a9b5

0914

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